Media & Publishing

Cathy Erway on How Aspirations Change as Experience Grows

In Chapter 12 of 17 in her 2013 Capture Your Flag interview, writer and healthy food advocate Cathy Erway answers "How Are Your Aspirations Changing as Your Experience Grows?"  When she published her first book, Erway thought she would always be an author and travel the country speaking.  Over time she shifts her writing career aspirations to be more local and community driven around New York City. 

Cathy Erway is a Brooklyn-based author, part-time cook, freelance writer, radio host and teacher focused on healthy food advocacy.  Her first book, "The Art of Eating In" developed from her blog "Not Eating Out in New York".  She earned a BA in creative writing from Emerson College.

Cathy Erway on Embracing Technology in a Food Writing Career

In Chapter 13 of 17 in her 2013 Capture Your Flag interview, writer and healthy food advocate Cathy Erway answers "What New Challenges Are You Facing in Your Food and Writing Career?" Erway notes new challenges come with keeping up with and figuring out how to embrace new technology.  She sees opportunities in using technology to make sustainable and local eating more approachable.  She also notes the challenge she faces trying to keep up with new digital publishing tools and figure out where to invest her time. 

Cathy Erway is a Brooklyn-based author, part-time cook, freelance writer, radio host and teacher focused on healthy food advocacy.  Her first book, "The Art of Eating In" developed from her blog "Not Eating Out in New York".  She earned a BA in creative writing from Emerson College.

Cathy Erway on Finding Freelance Writing Jobs to Make Ends Meet

In Chapter 14 of 17 in her 2013 Capture Your Flag interview, writer and healthy food advocate Cathy Erway answers "How Have You Found Jobs to Make Ends Meet and Pay the Bills as You Develop Your Career?"  As a freelance writer, Erway builds strong relationships with a few publications, namely the L Magazine, Edible Brooklyn and Grist.org.  The relationships provide her a steady stream of writing work that complement her work as a cooking teacher and restaurant cook. 

Cathy Erway is a Brooklyn-based author, part-time cook, freelance writer, radio host and teacher focused on healthy food advocacy.  Her first book, "The Art of Eating In" developed from her blog "Not Eating Out in New York".  She earned a BA in creative writing from Emerson College.

Kyung B. Yoon on How Reflecting Back Can Move Your Career Forward

In Chapter 1 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "What Role Has Reflection Played in Shaping Your Personal Growth?"  Yoon uses reflection to think about work she enjoys doing and work where she excels.  This process helps Yoon figure out what next steps to take in her career and find ways to eliminate inequalities and inequities and create social impact. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Kyung B. Yoon on Making Passion for Fighting Poverty Your Career

In Chapter 2 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "How Did Your Passion for Alleviating Poverty Develop and How Has It Been a Common Thread in Your Career?"  Yoon sees connecting her passion to dealing with poverty issues across her career.  From working in economic development to non-profit filmmaking to broadcast journalism to her current role at KACF, Yoon's focus on poverty and social inequality stays central to her work. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Kyung B. Yoon on Defining Career Goals in an Asian Immigrant Family

In Chapter 3 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "Where Has Your Family Been Most Supportive in Your Career Development?"  Yoon spotlights a time early in her career when she left a secure job at the World Bank for an entry-level job in broadcast journalism.  She remembers how her Korean immigrant parents tied having a secure profession to happiness and how she had to learn to understand their point of view as it applied to caring for their daughter. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Kyung B. Yoon on Elementary School Influences on Career Choices

In Chapter 4 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "What Childhood Experiences Have Been Most Fundamental in Shaping Who You Are Today?"  Yoon recounts learning memorization skills as a 6th grade elementary school student.  Learning to memorize and recite poetry gives Yoon an appreciation for memorization and practice she uses later in her career as a journalist and public speaker. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Kyung B. Yoon on Career Advice for Gen Y Women Professionals

In Chapter 7 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "How Are Your Personal Experiences Shaping Your Professional Aspirations?"  As a Wellesley student, Yoon remembers wanting to have it all.  Experience teaches her you can have it all but not have it all at the same time.  She advises young Gen Y female professionals to invest in careers early to gain educational credentials and work experience to provide negotiating and bargaining leverage later in life and career. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Kyung B. Yoon on How to Craft a Communication and Publicity Strategy

In Chapter 12 of 17 in her 2013 Capture Your Flag interview, non-profit executive Kyung B. Yoon answers "Having Worked as a Journalist, What Advice Do You Have for Organizations on Generating Publicity?"  Yoon notes publicity strategies rooted in press releases will come up short.  Strong communication strategy starts with building relationships with journalists and understanding their beat.  Journalists need sources to do their jobs well and want to have these relationships too. 

Kyung B. Yoon is the executive director of the Korean American Community Foundation (KACF) in New York City.  An award-winning journalist and documentary film producer, Yoon earned an MA in International Relations from Johns Hopkins University and a BA in History and Political Science at Wellesley College.

Lulu Chen on How Reflecting Helps You Plan for the Future

In Chapter 3 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "What Role Has Reflection Played in Shaping Your Personal Growth?"  Reflecting helps Chen appreciate what she has today.  It helps make better career plans, especially as she has grown into her 30s. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: What role has reflection played in shaping your personal growth?

Lulu Chen: I think it’s given me perspective just reflecting back on previous jobs and like life experiences and relationships. It’s—I don’t know. It makes me appreciate what I really have today, and it gives me perspective on what’s really important and what my priorities are. 
I think when I was younger I just kept working so hard but I didn’t necessarily think about the direction, you just think, “Oh, you just work really hard. You just keep doing this, and good things happen,” which generally I—you know, I try to be positive and hope that that’s still true, but sometimes I think you also have to strategize directionally, you know, sort of—kind of plan it out a little bit, and I’ve gotten better at that too as I’ve gotten older.


I think sometimes speaking to some of my friends, my peers, and having them kind of compliment me or point things out, that’s when I reflect back, and I really appreciate it, you know. It’s very hard for me to take compliments sometimes and I also—Yeah, I just forget, you know? I forget to stop and just think about things and, you know—just, you know, keep going.

Lulu Chen on How Confidence Improves Your Work Performance

In Chapter 4 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "What Role Does Confidence Play in the Work That You Do?"  As a fashion professional, Chen finds confidence helps improve your own performance and, as a result, those working around you. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: What role does confidence play in the work that you do?

Lulu Chen: So I think confidence comes into play in a lot of different ways actually. I think it comes into play for yourself, in that you trust your own abilities and, you know, if you have to lead a team or direct for—in what I’m doing now, you direct a team of people, you also—I think when you exude confidence, they trust you, and they, you know, they trust in the process and the project, and—I mean, no one really wants to take direction from someone who seems unsure of themselves, right?


When you’re confident, I think you stress less. You’re just more sure, you’re more steady. I think that’s great for yourself and anyone you work with. But also when you aren’t confident, I think it snowballs, you know. Everybody kind of through osmosis, everyone becomes a little, you know, unsure of themselves. And that’s just a disaster. Right? Because—And also, you know, when you confidently present something to someone in a meeting even or let’s say a prospectus or something, it definitely sells better than if you carry yourself in an unsure way. You know, the way you speak, and how you feel about it too.

What Factors Determine Your Work Ethic - Lulu Chen

In Chapter 5 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "Where Did You Learn Your Work Ethic?"  Chen considers nature versus nurture when thinking about the origins of her work ethic.  She finds influences do come from outside forces such as parents or work experience but also feels much of work ethic is inherent and part of who you are. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: Where did you learn your work ethic?

Lulu Chen: I don’t think you learn it. I think it’s just who you are. I think it could be developed, you know, the whole nurture versus nature argument. I think my parents always worked really hard. And so they were good examples of working really hard and I learned probably some of the work ethic from them but also I just—it’s never really a question—you just always do the best that you can. But I don’t know if that was learned or just who I am.

Erik Michielsen: And do you have people ask you about that? 

Lulu Chen: I don’t think people really talk about it. I mean I think you get hired again as a freelancer, if they know that you care and that you work hard. And that you’re invested in their project as much as they are, or, you know, I think that it becomes expected when somebody knows who you are, and you—if you’re having a slacking off day, you know, they’ll notice it, but it’s ultimately not because you’re trying to be lazy or something, you know. 

Lulu Chen on How to Help a Friend Find a New Job

In Chapter 6 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "How Has Your Network Helped You Find You Jobs?"  Chen notes it is especially about the little things where your friends can help you find new jobs.  This includes having your friends vouch for you as well as having them give you help updating your resume or writing a cover letter. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: How has your network helped you find new jobs?

Lulu Chen: It’s all encompassing, you know, your friends can send you job postings or ideas, or tell you about things that they’ve heard of and opportunities which is I think huge, you know, and I think that a professional network or just a personal network does that, especially in such a big market in New York. But, I mean it’s the little things, really, you know, it’s like helping you proofread your cover letter, and making sure that your résumé looks good, and we all do it for each other. And from the technical small things to the fact that they will go and vouch for you, and really say to a friend or a colleague, or their boss, like, “Oh, you know, I’ve worked with this person before. I really think that they’re the best candidate for the job, and it might not be somebody who is obvious, but, you know, if you give this person that chance, she won’t let you down.”

How to Ask for the Job You Want

In Chapter 7 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "How Did You Get Hired as an Art Director Without Being a Traditional or Obvious Candidate?"  During an interview, Chen is asked "What do you really want to do?" and after answering not with stylist but rather with art director and creative director, she is given an opportunity to interview with a creative director.  Chen gets the art director job.  This experience teaches Chen to ask for the job she wants. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: How did you get hired as an art director without being a traditional or obvious candidate?

Lulu Chen: Well, I did some art directing when I worked at Self Magazine, and, you know, you had to work on the styling and art directing, so that was really great experience for me, but recently, transitioning into more of an art directing role than a stylist role. This is a really funny story. I actually went in to an interview thinking of applying for a fulltime styling position, but it turned out that the company was so big, and that specific job was actually with an acquaintance friend of mine that we had worked together years ago, at Condé Nast for. But, you know, sitting in his office, he basically—we were both like, “This isn’t for you.” Like, “It’s a writing job. You can do it. You can do these pages. If you really want it, you know, I’ll think about it. But what do you really want to do?”

And in the last couple of years, I’ve been thinking about like, “Oh, you know, someday I’d really love to be a creative director. I’d love to do something a bit more bigger picture.” You know, just kind of growth and transitioning, and—I don’t know—setting up new challenges for myself, so, he kept pressing me, like, “What do you really wanna do?” Like, “What do you wanna do? What do you wanna do?” And I was like, “Oh, my God. I just want, you know, I wanna be an art director and a creative director one day.” And it just came out. And—but I had never said it out loud. I—you know, I kind of questioned some friends who were art directors and, you know, tried to kind of get their advice on, “Oh, what do you think?” or “How do I do it?” But I never really just put it out there, you know?

And sitting here in an interview, and I’m like, “I can’t believe I just said that.” But it is, it’s true. It’s really what I was hoping for. And, you know, his response was, “Fine. Okay.” And you’re like, “That’s it?” “Really, it’s that simple?” I mean, you know, I never thought—“Oh, you just keep asking. You just keep asking.” Or, you ask—You ask, you know, and sometimes, you know, someone will be like, “Fine. Try. Go for it”, you know, maybe— So I was really lucky, he—and I really appreciate that he gave me the opportunity, and he put me in touch with his creative director. And love this man, so, so—I don’ know—just inspirational. I think I had a 12-minute interview with the creative director. And he spoke, like 3 languages in that time. Picked up a phone call in French, said hi to me in Chinese, told me about all of operations, looked at my portfolio, showed me, like, some video that he had done, like, in 12 minutes. I mean, it was like the fastest talker I’ve ever met in my entire life, that type of thing. And you’re just like, “Whoa.” You know, and he said, “Okay.” He’s like, “We’re gonna give you this chance.”  

You know, maybe he didn’t say that literally, but he gave me the chance and I remember this so clearly, he said, “Do good and good things will happen, and, yeah.” And he’s like, “Just don’t F it up.” And he kind of put the fear of God in me, but at that moment, I was like, “Well, there’s no going back now, so, you know, that’s not an option. So you’re just gonna go for it”, you know. You know, so I did.


Art Director Lulu Chen on Learning to Work in Retail E-Commerce

In Chapter 8 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "What Does It Mean to Be an Art Director Working in Retail E-Commerce?"  In her online retail projects, Chen works to keep the photography simple yet useful to share the look, feel an shape of the clothes virtually with the consumer.  She shares examples how the lighting, photography and presentation can change based on the mood or presentation goals. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: What does it mean to be an art director working in retail e-commerce?

Lulu Chen: So, for the projects that I’ve worked on, we try and keep things simple so that it’s easy to view and we really try and do the clothes justice. You know, we try and present the shape, the silhouette. We try and show the texture, you know, we try and show the style, but—you know, there’s a lot of things that we’re trying to get across. But, really, it’s a selling shot. So we’re trying to show how many buttons it might have, you know, if it’s a boxier fit or a slim fit, or, you know, where it would—you know, the proportions of certain things, pockets—I mean all these details, really, it’s trying to get all of that across, so that it’s a fair representation for the consumer, because you’re not there, you’re not able to tangibly touch things, but, you know, so we try and show them.

So brand to brand, it’s different. And also there are some more editorial elements to certain retail e-commerce sites. Some have simpler backgrounds and they’re against gray or white. And it really just—the focus is on the clothing or the accessories. But sometimes, you know, with the more editorialized shots, it’s really about the mood.

Lulu Chen on How Online Retail and Editorial Fashion Jobs Compare

In Chapter 9 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "How Does Working in Retail E-Commerce Compare and Contrast With the Work That You Have Done in Editorial?"  Chen notes how the teams - photographers, models, stylists, etc. can be the same as can the process.  However, the goals can be very different, as editorial goals can trend more toward aspirational brand communication whereas online retail or retail e-commerce is more functional, rooted in selling clothes that fit. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: How does working in retail e-commerce compare and contrast with the work that you’ve done in editorial?

Lulu Chen: Well, the teams are the same—can be actually almost the same, you know, the talents, people do both, you know, your photographer, your hair and makeup, your models, and everybody who’s freelance. Actually, you know, even some contributors of magazines, they do both, so the process is similar in a way, depending on what you’re working on. But the actual—the goal might vary. So in editorial work, you’re more focused on this narrative and this aspirational kind of fantasy and this mood and this lifestyle you might be selling or, you know, trying to achieve.

Whereas I think in retail and in commerce, it has to be more brand specific or, you know, it has to be more pointed, you know, it’s—you’re selling. You’re selling a specific thing. You’re selling either a brand or an item or items, and specifically for me, I work on apparel, so the clothes have to look good, you know. I mean in editorial, we can move around or lay someone down, and sometimes it’s a hot mess, you know, and it doesn’t matter that things are flying around and, you know, but I think that in commerce, it has to be a little bit more functional, you know?

I think you can have fun in both editorial and in retail. 

I think it’s starting to be bridged too, you know, it’s like that whole art and commerce, and I think a lot of retail brands are doing a really good job, they’re still trying to make—they’re trying actually to be aspirational and trying to get their customer to push the boundaries or, you know, to kind of imagine this lifestyle—you know, wearing their clothes or their items or their accessories, but at the end of the day, you know, it’s still—it still has to be more functioning.

How Art Director Lulu Chen Helps Brands Tell a Story to Customers

In Chapter 10 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "As an Art Director, How Do You Help Brands Tell Their Story?"  Chen notes how brands are in effect personalities and working on brands comes down to understanding the customer, the customer lifestyle, and putting a consistent, on-brand message in place to connect with them. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: As an art director, how do you help brands tell their story?

Lulu Chen: Well, it’s really important to stay consistent, and on brand. Which basically means that you’re always answering that same question, like, “Who is the customer?” “How does this fit into the customer’s life? Her needs, her—his needs, you know, their lifestyle, their budget, even, you know. And all of the things that the target audience represents.
Once you understand the brand, and once you understand what the goals are, I don’t think it’s hard to stay on brand. It’s like understanding a personality. 

Erik Michielsen: And that’s just something that you try to figure out through conversations as a team?

Lulu Chen: So much of it is something that you grew up with. You know, there are so many brands that you already know without thinking about it, or without having to break down what that brand is, you already know it, right? I mean, think about it, you know. I think it was in an interview and they said, “Do you know this brand?” And I said, “Yes, of course, I grew up with it.” You know, we used to go to the mall and we used to shop there. Yes, you know? Yeah, so even if you don’t think about it, you know, I think you’ve been exposed to brand identities your whole life. 

How to Use Concepts and Storyboards When Planning a Photo Shoot

In Chapter 11 of 16 in her 2012 Capture Your Flag interview, art director Lulu Chen answers "How Do Concepting and Storyboarding Help You Direct a Shoot?"  Chen finds putting town ideas on paper facilitates more effective collaboration.  Writing down concepts and storyboards provide examples that help others understand your thinking.  This creates more effective collaboration that results in presenting photo shoot ideas to the creative director for approval.  She notes how limiting creative brainstorming can result in a game of telephone. 

Lulu Chen is a photo art director working in retail e-commerce in New York City.  Previously, Chen worked as a freelance stylist for leading fashion catalogs and magazines.  She earned a BFA in design and art history from the University of Michigan.

Transcript: 

Erik Michielsen: How do concepting and storyboarding help you direct a shoot?

Lulu Chen: You know, what we do is so visual. And it’s very hard to convey, just something that’s in your head, you have to put down on paper. And whether it be something that you mock up that’s just purely a vision that you have or an idea or, you know, you pull inspiration or swipe and I think it’s easier to collaborate and have talking points, and to show what you’re trying to convey. It’s very hard to be like, “Oh, I want the light to look like this.” You know, you start talking and it’s also what you’re expressing verbally may be totally different in somebody else’s head, or if their perception of, you know, it’s like telephone, except that, you know, you’re there in person and then it could just become a hot mess. Yeah, I think that it’s really important to have specific examples, so that everyone can understand exactly what you’re thinking.

Erik Michielsen: And is that more of an individual task or is it a collective task?

Lulu Chen: So, it can be both. You can work on it by yourself. But ultimately, in my past experiences, you’ve had to present it and there’s checks and balances. So you talk to your creative director about it or other people on the team, just to make sure that everybody’s in sync and on the same page.

Erik Michielsen: And is there a sign off process?

Lulu Chen: Sometimes. Yes. You know, it depends on how elaborate the shoot is.

Erik Michielsen: And how does that work?

Lulu Chen: Well, you present your ideas, and they say, yes or no. Or, you know, they might say that we like this aspect, maybe we should explore this direction a bit more or, you know, this chair looks a little funny, like maybe we should get some more options or I think that’s just, you know… off top with my head but, yeah, it’s definitely a collaboration.